[NSFW] Hipsters

[Omar]

It turne me on so immensely when she suddenly stopped and started putting black wierd spaghettios on her shirt, and then went like "HURRRR, DURRR HERPITY DERP HURP, DERP DURR HERRP DURP SSSS"

[tacosndew]

that was fucking stupid...those aren't even COOL hipsters...

[SgtJoo]

It's art Keylin, learn to appreciate it more.

[IntenseFajita]

Wat duh fuk.... 2 minutes of opening spaghettio's but it was all worth it.

[TheVirus]

I think she had -- let's be extremely generous here, for no real reason -- mechanical problems with the Spaghettios can. That shit was giving her real-life troubles. That was supposed to be opened like an adult and she wasn't capable of that under pressure.

 

To the point: I think it's a pretty classic feminist objectification trope, probably presented as some sort of rape parable.

 

Soil represents earth -- true meaning -- and how it has been muddled and confused by consumerism and objectification (El Spaghettios) to the point that it is completely unrecognizable.

 

So she is in this sexually/domestically abusive relationship with someone specific and/or American society. But since this constant rape of identity has been stirred so deeply into culture and reality, she chooses to finally rebel against her situation using the only way she can attain power over this faux-reality -- by declaring that this world and this abuse has so little value that she could rape herself and remain entirely disaffected.

 

Of course, it's possible she meant to present this with no subtext -- a "this world means nothing, so here's this ambitiously ludicrous act that is going to make everyone wish they didn't come here" sort of thing that completely staggers the audience. It's a bit manifestoesque in its simplicity ("we assign meaning, we live by worth and assign value, but everything is shit") if that's what she was going for, but it's certainly an option.

 

So the best option is probably a combination of both. This is most likely told by a narrator in the midst of crisis, post-sexual abuse or abusive relationship, who has a view of Earth so jaded that she chooses to assign no value to it anymore, deeming it all an unreality.

 

Thusly, in an act of protest of her societal (and, probably, actual) rape by society, she opts to rape herself with the Earthspaghetti to prove it means nothing to her, to prove that any future rape is so unreal that it can no longer affect her.

 

But she's still left to complete her only human-drone-in-a-corporate-world, typically-feminine task: To clean up after the mess she's made and move on.

[EvilShadow98]

that was fucking stupid...those aren't even COOL hipsters...

 

Um.. There are cool hipsters?

[Determined2Win]

I think she had -- let's be extremely generous here, for no real reason -- mechanical problems with the Spaghettios can. That shit was giving her real-life troubles. That was supposed to be opened like an adult and she wasn't capable of that under pressure.

 

To the point: I think it's a pretty classic feminist objectification trope, probably presented as some sort of rape parable.

 

Soil represents earth -- true meaning -- and how it has been muddled and confused by consumerism and objectification (El Spaghettios) to the point that it is completely unrecognizable.

 

So she is in this sexually/domestically abusive relationship with someone specific and/or American society. But since this constant rape of identity has been stirred so deeply into culture and reality, she chooses to finally rebel against her situation using the only way she can attain power over this faux-reality -- by declaring that this world and this abuse has so little value that she could rape herself and remain entirely disaffected.

 

Of course, it's possible she meant to present this with no subtext -- a "this world means nothing, so here's this ambitiously ludicrous act that is going to make everyone wish they didn't come here" sort of thing that completely staggers the audience. It's a bit manifestoesque in its simplicity ("we assign meaning, we live by worth and assign value, but everything is shit") if that's what she was going for, but it's certainly an option.

 

So the best option is probably a combination of both. This is most likely told by a narrator in the midst of crisis, post-sexual abuse or abusive relationship, who has a view of Earth so jaded that she chooses to assign no value to it anymore, deeming it all an unreality.

 

Thusly, in an act of protest of her societal (and, probably, actual) rape by society, she opts to rape herself with the Earthspaghetti to prove it means nothing to her, to prove that any future rape is so unreal that it can no longer affect her.

 

But she's still left to complete her only human-drone-in-a-corporate-world, typically-feminine task: To clean up after the mess she's made and move on.

 

 

You fucking would.

 

As for the video, the fuck...

[Micro]

Fucking Wow.

[Boobcake]

Got this from Kcin and played it on gmod theatre, lulz were had.

[Ms. Blargh]

I think she had -- let's be extremely generous here, for no real reason -- mechanical problems with the Spaghettios can. That shit was giving her real-life troubles. That was supposed to be opened like an adult and she wasn't capable of that under pressure.

 

To the point: I think it's a pretty classic feminist objectification trope, probably presented as some sort of rape parable.

 

Soil represents earth -- true meaning -- and how it has been muddled and confused by consumerism and objectification (El Spaghettios) to the point that it is completely unrecognizable.

 

So she is in this sexually/domestically abusive relationship with someone specific and/or American society. But since this constant rape of identity has been stirred so deeply into culture and reality, she chooses to finally rebel against her situation using the only way she can attain power over this faux-reality -- by declaring that this world and this abuse has so little value that she could rape herself and remain entirely disaffected.

 

Of course, it's possible she meant to present this with no subtext -- a "this world means nothing, so here's this ambitiously ludicrous act that is going to make everyone wish they didn't come here" sort of thing that completely staggers the audience. It's a bit manifestoesque in its simplicity ("we assign meaning, we live by worth and assign value, but everything is shit") if that's what she was going for, but it's certainly an option.

 

So the best option is probably a combination of both. This is most likely told by a narrator in the midst of crisis, post-sexual abuse or abusive relationship, who has a view of Earth so jaded that she chooses to assign no value to it anymore, deeming it all an unreality.

 

Thusly, in an act of protest of her societal (and, probably, actual) rape by society, she opts to rape herself with the Earthspaghetti to prove it means nothing to her, to prove that any future rape is so unreal that it can no longer affect her.

 

But she's still left to complete her only human-drone-in-a-corporate-world, typically-feminine task: To clean up after the mess she's made and move on.

He speaks their language, Get him!